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The Paul Simon Project

Lisa Lindsley

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One rainy day outside of Paris, Lisa and Laurent were listening to the lyrics and music from Paul Simon’s album, One Trick Pony. They both had an epiphany at the exact same moment, “Why not pay tribute to this amazing lyricist and musician?”

That’s exactly what they decided to do: picked out songs, wrote the arrangements, and recorded their own

One rainy day outside of Paris, Lisa and Laurent were listening to the lyrics and music from Paul Simon’s album, One Trick Pony. They both had an epiphany at the exact same moment, “Why not pay tribute to this amazing lyricist and musician?”

That’s exactly what they decided to do: picked out songs, wrote the arrangements, and recorded their own versions of some of the most iconic Paul Simon songs in history, as well as their own favorite Paul Simon songs. It was a difficult decision as too exactly which 8 songs to choose from Simon’s vast and wonderful collections, but these 8 really spoke to them. So here they are. These heartfelt and beautiful arrangements are so beautifully put together, the musicians recorded in one room at La Frette Studio’s, you can hear their love of the music.

The Paul Simon Tribute is the third album of Lisa Lindsley & La Belle Epoque. Enjoy!

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Wouldn't It Be Loverly?

Lisa Lindsley & La Belle Epoque

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A beautiful collection of songs pulled from musicals of the 1940's and 50's.

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Long After Midnight

Lisa Lindsley

Opening with the title track, Lindsley doesn’t waste any time sharing the music she gathered on her sojourn. With its echoes of Thelonious Monk’s iconic ballad “Round Midnight,” James Wilson and Tricia Lee Sampson’s lovely “Long After Midnight” offers an alluring invitation to a seductive nighttime world that pulses with the heartbeat of Chambers’

Opening with the title track, Lindsley doesn’t waste any time sharing the music she gathered on her sojourn. With its echoes of Thelonious Monk’s iconic ballad “Round Midnight,” James Wilson and Tricia Lee Sampson’s lovely “Long After Midnight” offers an alluring invitation to a seductive nighttime world that pulses with the heartbeat of Chambers’ imposing bass. She introduces another gem by Wilson, a California-raised jazz guitarist who teaches music at the American School of Paris, with “Skylark Song,” a delightfully fluttery melody on which her poignant vocals swoop and glide with Cid’s lustrous flute.

With her relaxed phrasing and unfussy approach to arrangements, Lindsley fully claims several oft-recorded songs as her own. Her concise, amused version of “Star Eyes” finds more light than heat in the Gene de Paul/Don Raye standard. She mines the deep vein of Irving Berlin’s treasure trove with an appropriately Caribbean-inflected “Heat Wave” and a tear-jerk torchsong take on “Love, You Didn’t Do Right By Me,” a rarely heard gem associated with Rosemary Clooney from the 1954 film White Christmas.

The album’s emotional centerpiece is another undersung chestnut, “The House Is Haunted (By the Echo of Your Last Goodbye),” an ache-filled lament she delivers with just the right blend of resignation and regret. A pinch of funk dials up the sass of “Diamonds Are a Girls Best Friend,” while Lindsley’s insouciant spirit is on full display on her slinky on-the-spot version of the 1966 Donovan hit “Mellow Yellow.” The album closes with sleek and sensuous trot through “Surrey With the Fringe on Top,” a song tackled more often by instrumentalists than singers. As a winning bonus track, she delivers a brief impromptu medley of “When Your Smiling” and “Pennies From Heaven” featuring Benhammou’s dexterous brush work. As the dawn approaches and the evening’s revelry comes to an end, Lindsley hasn’t started to wear out her welcome.

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Everytime We Say Goodbye

Lisa Lindsley

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A tender album with Grammy nominated George Mesterhazy and Fred Randolf, an album to make love to. Downbeat magazine gave it 3 out of 4 stars.

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